Showing posts with label Mayan Consultants International. Show all posts
Showing posts with label Mayan Consultants International. Show all posts

Friday, October 22, 2010

Creative Coincidence, Plagiarism, Inspiration or Adaptation? Skoda - Is it Fab?

 Way back in 2002 an advertisement was done for BHIMA Jewellers in Trivandrum promoting solitaire diamonds. BHIMA was a revered and traditional name in Trivandrum and was patronized  for generations by some of the older and established families. The ad is attached below:




The Headline says : Shout with a whisper and the body copy says "They say old money whispers, while new money shouts. Make your point with our solitaires collection. Bhima, for those who know better."
his was blogged and uploaded into my portfolio in .http://vinodnatesansportfolio.blogspot.com/2008/04/2002-2005-mayan-consultants.html
Going by web analytic data, the blog has been viewed by almost 9700 people. It was also uploaded on the afaqs creative showcase almost a year ago and has been viewed by more than 195 people.
BHIMA JEWELLERS SOLITAIRE DIAMOND DONE BY MAYAN CONSULTANTS- VINOD NATESAN


 I was therefore shocked to see an ad last week for Skoda Fabia done by Saints and Warriors titled "Style shouts, pedigree whispers' which seems to be quite similar in intent and approach to the  ad that I had done in 2002 for Bhima Jewellers. It then  talks about lineage in the body copy.  The advertisement that appeared in the Economic Times of 15th October 2010 for the brand Skoda Fabia. This  has the key number of Saints and Warriors (SAW/SKODA956-10).



While I do admit that creative coincidences are unavoidable and  this one seems to be "inspired" and almost "imitated",there is possibly a second opinion also,  that even if inspired, it is an adaptation and therefore acceptable. I frankly don't know. I guess the jury is out on this one.

Anyway,  as far as aggrieved  parties go, I don't seem to be in a club of one. A writer overseas also is in this august group and in her case, the accused is the editor of one of the most respected weeklies in India :)

http://www.slate.com/id/2271859/?from=rss&ref=nf

Some interesting comments have started comming in. This link is dedicated to plagiarism or copy cat advertising:)

 http://bloganubis.com/category/copy-cat-ads/

DECEMBER 5TH 2010 - UPDATE

Post this blog and social media posts, Saints and Warriors have changed the Skoda advertising. We salute the gesture and are grateful to Pushpinder Singh for making the effort and doing the right thing.
creative-coincidence-or-plagiarism Skoda Fabia Revised ad

Sunday, December 13, 2009

ADOPTION AD: PRO BONO WORK BY MAYAN


OPTION B



OPTION C






A close blood relative decided to adopt a child after 7 years of marriage. There were many opinions on the matter, one of which was that children who are adopted have unpleasant histories and do not augur well for their foster parents. This is an attempt to assuage such apprehensions. Yashoda brought up Krishna as her own and she did not do badly from what the scriptures say:).
The inspiration for this ad was a piece in Carnatic Music which goes
 "Enna tavam shaithane yashoda, engum nirai parabhramam, amma enrazhaika." which asks the question, "what penance did Yashoda do, that the Universe call ed her "mother"!!
It is a Krithi By "Papanasam shivan"in Kappi Ragam (Janya Ragam of Kharahara priya),
set to Aadi Thalam.  It is sung by Chinmayi and Baby Nimisha






The ad was uploaded first on 13th December 2009 and since then has had to undergo changes since there were issues on historical accuracy given that Lord Krishna was not adopted in the strict sense of the term and it was a case of a switch.The changes that took place are documented above as options.

Meanwhile hotmail has come up with an article on famous adoptions (23rd December 2009) and Sushmita Sen has announced her second adoption! The TOI has also reported changes in the adoption laws.
We will carry all the information on this space . Vinod Natesan as on 29th December2009.


Saturday, October 24, 2009

Blind Man Writing

BLIND MAN WRITING:
I brush my teeth, shave and have a bath everyday,I visit my barber once a month. My clothes are washed and ironed. I do not have tattoos and am not and do not appear to be a sexual deviant or someone who uses narcotics and psychotropic substances extensively. All these personality traits, according to many, makes me completely ill suited to the task of a "Creative Director"!
However in the pursuit of a legitimate livelihood which does not involve sale of ones self- respect and soul, I have often written messages to induce the reader to visit a destination, take up a cause, or try a product.
I am therefore the Account Planner cum Creative cum Business Head :) However, there is a catch. In the creative function, you need an At Director and a Writer working together. They always hunt in pairs. When you are a Planner, you sometimes find the Muse knocking and pen down a few ideas. However, it needs a skilled Art director to do the mid-wife's bit and get the baby out.The assignments here where like a blind man writing. The Art Director did his bit a lot later.The Art Director in question and my partner in crime here is a mysterious and secretive bloke who answers to the name of SG.

The campaigns written include
http://vinodnatesansportfolio.blogspot.com/2009/10/mayan-consultants-international-2009_12.html

http://vinodnatesansportfolio.blogspot.com/2009/10/mayan-consultants-international-2009.html

http://vinodnatesansportfolio.blogspot.com/2009/10/mayan-consultantsfreelance-work-2009.html

http://vinodnatesansportfolio.blogspot.com/2008/04/2002-2005-mayan-consultants.html

http://vinodnatesansportfolio.blogspot.com/2008/04/1998-2000-mayan-consultants.html

Saturday, June 28, 2008

IPL 2008. A Businessman's Guide

Vinod Natesan, Brand Consultancy,  Advertising
The IPL
A Few Frequently Asked Questions
By
Mr. Vinod Natesan
Mayan Consultants International
June 2008
Purpose and Scope
The “IPL” has been on the agenda and discussion summaries of most agencies, media executives and marketing heads.
Since it came into everyone’s radar early this year, it has raised many questions and a plethora of opinions, numbers, estimates, guesses, rumors have been thrown up. With the closure of the first season this month, analysis of what heights were reached and prognosis on what is to come is also being hazarded by every correspondent and cricketer worth his byline.
This article attempts to make sense of all that has been written and to collate, classify and present the ‘facts of the case’ for both the tyro and the virtuoso media buyer/planner/ investor and why not, the observer.
Q. What is the IPL all about?
Not a likely question, I admit, unless the questioner is Rip Van Winkle, or has just landed in India from the Artics, or has some similarly justifiable reason. However, like Indian feature films, we will pitch for the lowest common denominator and hope for the patience and indulgence of those who are more knowledgeable.
The Indian Premier League consists right now of 8 cricket teams who are owned by ‘franchisees’ of IPL.
They play 20 over cricket matches with each match lasting approximately 4 hours. Therefore, it is also referred to as ‘T20’.
They play twice against each other. Once at ‘home’ ground and the second, ‘away’ at the opponents home ground.
Therefore, there will be 7 matches in each of the 8 venues in the league phase. At the end of the 56 matches, the top four teams in terms of number of wins, will go into the semi-finals and finals. The IPL was scheduled over 45 days from 18th April to 1st June. The telecast was from 19.30 hrs to 23.30 hrs in most cases and on weekends when two matches were played in different venues, from 16.00 hrs to 20.00 hrs and from 20.30 to 00.30 hrs the next day.
Q. What explains the big bucks in this event and how is it viable?
The eight teams were given to investors who submitted the highest bids. The franchise fees were to be paid over a 10 year period. The franchise ‘brand’ was an asset and remained with the franchisee, without time limit. The fees paid by franchisees ranged from $111.9 mln (Rs 469.9crores) for the Mumbai Indians which was paid by Mukesh Ambani of Reliance Industries to the lowest fee of $67million (Rs281.4 crores) paid by Emerging Media which is owned by Manoj Badale and Lachlan Murdoch along with a few others. A total of $723.6 mln (Rs 3039crores) was committed as franchise fee to the BCCI over a ten year period by all the eight franchisees. It does not stop there, each franchisee had to put in a minimum of $3.3 mln (Rs13.8crores) and a maximum of $5 mln (Rs 21crores) per year on player fees. This was apart from other expenses incurred in insurance, coaching staff, training facilities, accommodation, travel etc.
In return, the franchisee’s were entitled to revenue streams which helped them recover their investments and generate handsome dividends. The IPL/BCCI passed on 72% of all central television broadcasting rights and 8% in the form of prizes to the franchisees. This share was to reduce by 10% every two years. Each franchise would get its share on the basis of TRP’s generated by it, except in the first year, when it would be equally shared.
The central television rights were sold to Sony WSG for US$ 1.026 billion. US$ 918 million was to be paid for 10 year global rights and US$108 million was to be spend in promoting the event over the same period. Sony had a 5 year deal for $316 million and a right to renew it for the next 5 years at $ 608 million. Revenues from central sponsored rights were also given to franchisees to the extent of 54% and 6% were allotted for prizes. The title sponsorship from DLF was for Rs 210 crores for 5 years and Rs 102.5 crores came from the associate sponsors which included CitiBank, Vodafone, Hero Honda, Kingfisher.
Franchisees retained 80% of all gate collections generated by it in its home ground, 87.5 % of all merchandising income, 100% of all team sponsorship and hospitality revenues. The gate collections from the 8 venues which includes the largest Eden Gardens with 100,000 seats to the smallest Wankhede with 35,000 seats, came to roughly Rs 167 crores . Sponsors were signed on by various franchisees with a fair degree of success, estimated at Rs 160 crores per anum across the 8 franchisees.
The final arithmetic indicates that revenues justified the fees paid by the franchisees with the central pool in itself generating nearly Rs 44 crores per franchisee, leaving them to generate gate collections and team sponsorships to cover their operating expenses and player fees. Some franchisees generated profits too in the first year due to astute selection of the team like the Rajasthan Royals, while Kolkotta Knight Riders marketed their strengths in celebrity owners and players to garner lucrative endorsement deals and to ensure full houses and better gate collections. For others like Chennai Super Kings, led by M.S.Dhoni, it was a mixture of all this. For details of the financial performance of each franchisee please see the table below.

PLEASE CLICK ON THE LINK BELOW, TO GO TO THE NEXT PAGE.. 

http://mayanmuse.blogspot.com/2008/06/ipl-2008-businessmans-guide_8909.html

Tuesday, March 6, 2007

India Rising a copyrighted media article by Vinod Natesan

 To view the article in published form, click here
http://www.afaqs.com/news/story.html?sid=17427_%3CFONT+COLOR=





India Rising…



When the Big B talked about an India poised for glory, there was a feeling that this was another “feel good” self-congratulatory commercial aimed at establishing a media brand as a mirror of the nation and its times. However, a reality check seems to indicate otherwise: Brand India certainly is poised for greater glory and powering it is a groundswell of self- belief and pride in being Indian. A trend, which practitioners of the marketing craft, will well do to take heed of.

As an Indian passport holder in the Middle East and Europe, I have been affected by perceptions of Brand India more than I would have thought possible. And now back home, I am more cognizant of this national identity and the discernible shift in its nature.

The most striking fact that comes through among us, especially the under-40 generation, is the sense of self esteem and pride in our culture and in our race. The uncertain diffidence and a meek acceptance of “western superiority” seem to be almost absent now.

The recent uproar and public response to Ms. Shilpa Shetty and the Big Brother goes beyond reactions to the programme per se. It is indicative of the unwillingness of the Indian to accept second rung status and the willingness to stand up and demand to be treated as equals. To dismiss the whole episode as an issue of hype around a “voyeuristic game show of washed-up celebrities”, would be to miss an underlying truth. Support to Ms. Shetty was a statement of support and pride in our way of life, be it “chicken curry”, “eating with hands”, “staying with parents” , “wearing salwar’s and sarees”, et al. Very clearly these “defining” characteristics were nothing to be defensive about. Jade Goody found order’s for her perfume packs returned in India and her brand off her shelves in the UK. Indian’s are clearly not in the mood to taking insults lying down, never mind that it is from the “gora sahibs and memsahibs”.

It is not a phenomenon that is happening only among Indian’s overseas. Back home, there are similar shifts. I have been visiting universities since the last decade to do deliver the occasional guest lectures. Till recently, university canteens (where most students mark their attendance even now) used to be split between the “UBI’s” (unfortunately born in India) and “Vernacs” (vernacular speaking, behenjis, locals, etc.). In fact, Bihari students in Delhi University were referred to as “Hep Hari” and “Bi Hari” depending on how “westernised’ they were!





Things have changed now. Give the credit to the reach of the unifying national media or the Internet, cultural differences are fast vanishing. Hep Hari’s and Behenji’s boogie to Indian remixes and wear jeans with their kurta’s. “Hinglish” is accepted and Sidhuism’s are popular. There are lucky pens and auspicious colours for important days. Astrology, talismans and special deals with the Almighty are very much in vogue. Ubiquitous mobile phones keep pace with their counterparts elsewhere in the world, but ring tones are distinctively Himesh Reshamiya or the latest Indian filmi hit. In some cases it is the “Gayatri Mantra” from the Times Music stable.

Cricket, which is the national passion, has also witnessed shifts. While winning the World Cup may be dismissed by cynics as a historical aberration of 1983, the attitude and approach to the way the game has played have clearly undergone a sea change. The recent tour to South Africa, the last-to-fall bastion of racial discrimination, is illustrative. When a slightly built but fiery Sreeshant was taunted and sledged by the big, white bully, Andre Nel, the response from the former was something that shocked most, since it was never expected from the “faint hearted and mentally weak” players of the sub-continent. The reply was not verbal abuse, but a demonstration of technical prowess followed up with a difficult to categorize Indian “war dance” and celebration, clearly telegraphing the new, “Indian” approach to gamesmanship. That the “Sreeshant war dance” was a highly popular download on the net and has now become part of the body language lexicon in “street cricket”, seems to play out this script of a new found national pride. In the same vein, I believe that the Bengal Tiger’s popularity has more to do with the “shirt swirl” and aggressive gamesmanship, than his prowess on the off side.

The difference is even more telling in the world of business. At the turn of the millennium, the Vice President of a luggage company gave an agency this brief: “When my customer keeps his luggage next to a ‘foreign’ luggage brand, he should not feel ashamed”. This was prompted by the loss of market share to a “foreign label”. Never mind, that the Indian luggage brand was almost endemic to the Indian psyche and very durable, almost a Hamara Bajaj in this sector. The trade feedback echoed the consumer sentiment “foreign is better”. Things have changed now, it seems. Transfer of technology and better product semiotics from the indigenous brand has resulted in a level perceptual field and the battle is now on product rather than on pedigree. “International” or “Made in XYZ” is now rarely a selling point. The roles are actually being reversed, with Indian brands beginning to make their presence on overseas markets. The euphoria in India when the Corus deal happened and when the Mittals managed to clinch the Arcelor deal in spite of unsavoury comparisons in the European media of “eau de colognes” buying into “perfumes” are well documented.





In IT, Brand India is now firmly established. The Indian service industry (BPO) has made inroads in the US and EU markets by not just chasing up on credit cards or medical transcriptions or preparing financial statements, but even tutoring “foreign” children online. It’s not just the English advantage, but the work ethics and the basic educational grounding that is the cutting edge. A leading Lebanese industrialist insists on hiring Indian teaching talent for an IB school in the Middle East. He informed us that he has experienced a dramatic difference with his children: “Straight ‘A’s after I shifted to Indian teachers”. IIT’s and IIM’s are highly valued brands overseas and that explains the increase in overseas applications to these institutions and also why these brands have been invited to open campuses in the Middle East. Salaries offered to IIM graduates are also on par with their US educated peers.

Indian healthcare talent continues to be highly valued in Europe and the US. While the Indian affluent and the “powerful” are used to going abroad for treatment, it is now vice versa for an increasing majority of Americans and Europeans, who find India value for money, even for highly specialized treatment options. The scaling-up of perceptions regarding Brand India and its human resources are therefore based on reality.

Ms. Indra Nooyi becoming the head of a largely American firm, a Ms. Sunita Williams making it big in NASA, a Mr. Manoj Shyamalan and Mr. Shekhar Kapur gaining recognition in Hollywood, are all causes for celebration back home. They simply seem to confirm to us that we are indeed world beaters. When Mr. Jeev Milkha Singh makes the cut or Mr. Vishwanathan Anand proves his prowess at a world chess event, it simply reiterates what we would like to believe: that we are second to none. As the ruler of an Emirate in the UAE put it, “Indians are highly motivated and willing to prove themselves when given an opportunity .The English language based educational system that they have gives them a great foundation and a cutting edge”

The journey from the remnants of a colonial rule, where self-esteem was the biggest casualty, to a genuinely independent self-assured nation has just about happened and we clearly are poised for greater glory.

Self-concept is not just about race or nationality. No longer are we willing to curse our fate and accept things. A Jessica Lal case is not allowed to be manipulated, but is brought for redressal, as is a Priyadarshini Matoo case, and in both cases, by women who were affected albeit with the help of a society with an awakened sense of fair play and justice.






Across board we find that the status quo is being questioned. We need a better quality life and not in the next birth. There is also a self-belief and confidence in trying to change things. “Khosla ka Ghosla” a recent film, charmingly captures this new-found ethos. Faced with a “Goliath” the “Davids” use guile and their wits to “beat the system” and get what is their due. Dreams did not die here, but lived happily ever after. Khosla ka Ghosla is a more intelligent rendition of “Gandhigiri” than the popular Lage Raho Munna Bhai and more plausible story of retribution than the rebellious “Rang de Basanti”.

This pursuit of a better quality of life and justice finds it way in myriad ways. Divorce rates and second marriages are higher since we are not wedded to conventions and we give ourselves a second chance. Fitness clubs and beauty saloons have mushroomed, since we now want to look good and feel good. Plastic surgery and cosmetic “treatments” find greater usage now because we are eager to make the best of what we have. No one wants to be a wall flower; we need to be in the middle of the action. Several reality-based talent shows and games find high participation and viewer ship. It is a passport to instant success and fame. It is likely that the drama about the girl or boy next door changing his own life and future with his/her talent is what people find compelling. Be it Lil Champs, the Indian Idol or Fame Gurukul, it is probably the stakes involved, that drive eyeballs.

The general belief is that the “media” played a role in the cases mentioned above. But it would be more accurate to say that the “role of the media” seems to have been redefined by the new crop of journalists who have come into the newsrooms of the much larger fourth estate. While Arun Shourie bringing down the A.R. Antulay regime and Russy Karanjia’s expose’ s may be part of Indian media folklore, we find that with this new bunch , it is now almost a norm. What started with Tehelka and the cricket controversy, is now oft repeated by most of the mainstream, media establishments. Barkha Dutt at the Kargill war front, Arnab Goswami with his belligerent and almost courtroom prosecutor style of interviews, Rajdeep Sardesai at CNN IBN doing whatever it takes, have all made sure that the media watchdog was barking and in fact, could bite when required. Be it the race for ratings and reach, the Indian media is as much a transformed as the polity that it writes about. Any doubts about whether the Indian fourth estate is world class would be put to rest if one were to look at Raju Narisseti’s track record in the Big Apple and Europe. Wall Street Journal winning business journalism awards may not be news, but an Indian born with a post graduation from the Institute of Rural Management Anand who completed a further stint in the US winning it for them is certainly headline material. Raju is incidentally back in the country with the promise of “greater clarity” in business reporting.

The search for something better has also changed the career profile of most professionals. Job shifts are now more frequent than before and company loyalty is passé. An average stint seems to be of 3 to 5 years duration. Upward mobility seems to be accelerated by shifting at the right time. Web-based headhunt sites seem to ride this trend and with good results. Predictably, a horrible boss, poor pay, etc. are used as a bait by brands. What struck me as interesting was the proposition that a better job may pass you by if you stay content with your job. Apparently, many Happy Kumars have been sold on the premise, according to the web site. Very clearly, we demand better and now!!!

I think what is interesting about the Indian market is that apart from the fact that it is young (majority is less than 30 years old), it is a new India that believes in itself, has pride and is willing to take risks while trying out better options. For those of us who are crafting and designing stimulus for the market, there seem to be plenty of signs to read.

It is not surprising, that one of the most popular commercials in the last year was the HDFC Standard Life commercial with its “sar udhake jiyo” appeal. From the retired grandpa to the young lady who is going “abroad” for higher studies, it is pride that is not negotiable.

A rather liked commercial for Maruti Esteem uses the payoff that “Esteem means BIG”. And then the sign off “my daddy’s BIIIIG car”. Self-Esteem very clearly is a high valence brand attribute

A financial product uses a very cute situation and has termed it the “kal roshan karega plan”. The academic qualifications of the dad spelt out on his cabin door are matched by his toddler who makes his intentions very clear “ I have more alphabets than you” , a proud papa agrees. The commercial has high recall with quite a few young fathers.

The Cadbury commercial where a bovine Miss Radha who makes it to Miss Palanpur was a lovely spoof on our craze for contests and their expected benefits. As was a commercial for a “world cup jao contest” which featured a likely winner who is clueless about the game.
An ad for a “durable ply wood” which spoofed the rebirth angle with a sardar kid in a typically Madrasi house was equally hilarious. Enjoyable commercials that conveyed the product story but stayed true to our cultural context.
Branding ideas seem to be plenty within the rapidly shifting cultural context in India and we certainly seem to have the human talent to recognize it and harness it. The way forward is not in Black Books or expatriate talent but to capture the charm of our culture and ride the resurgence that is happening here. Oscars and greater number of Clios and Lions will come our way as our brands become global. Not very far away I think.
Ends

Dated 15th February 200
Written by Mr. Vinod Natesan, Proprietor of Mayan Consultants International Contact: natesanvinod@rediffmail.com
Mr. Vinod Natesan is a post graduate of the Institute of Rural Management Anand. In the 19 years in the industry, he has been associated as a marketing consultant with the World Bank and NDDB, has serviced ITC, Procter & Gamble, Unilever and Telco accounts while working for FCB, Lowe and Leo Burnett. He headed the Mumbai of PSL McCann Erickson winning numerous creative awards like the Clio for work done on the Guestline Hotels and the Mahindra brands. In 2000, he joined JWT as Assoc Vice President &Strategy Planning Director on the De Beers account and was part of the team that won the Effies and the Subash Ghoshal trophy for the Nakshatra launch. In 2002, he shifted to the Middle East and has been handling marketing assignments with retail groups like the Landmark Group, with Tourism promotion bodies inTunisia and with tourism related authorities in Kerala. His last stint was with the Emirate of Ras al Khaimah where he set up the Tourism Office and the Media City and left it as the Head of Operations, RAK Investment Authority. He has also been a visiting faculty in most of the management institutes in Mumbai since 1996.

RESPONSES TO THIS ARTICLE:
http://mayanmuse.blogspot.com/2007/03/responses-to-article-on-india-rising.html